Only last week I was complaining that I was so busy with editing work that I had been forced to neglect my crafts. Well, here's a lesson in being careful what you wish for, because two of my clients have turned out to be flakes, and I have had to accept that they're simply not going to come through with the goods.
So I spent yesterday at my very lovely client's
ceramics studio in Bermondsey pummelling clay into submission and generally having a wonderful time. There's something exceedingly therapeutic about thwacking a pound and a half of wet clay onto the wheelhead and wrestling with it until it runs smoothly through my hands. She has new bats too - the wooden kind for clay, not the furry kind, although with the squeaky flash going off in the next studio it did sound like there were delinquent bats in the belfry! Anyway, these new bats are smooooooooooooooth and most importantly, level. I threw my biggest and best bowl yet. And now I wish I had a picture of it to show you, but I don't, so here's a shot of the rest of my day's output instead.
I'm so excited for that red in the top photo - it's a velvet underglaze - doesn't that just sound gorgeous?
And while we're on the subject of gorgeous things - and of the fickle nature of freelance workloads - here with unprecedented frequency is the next
Craft Britannia Shop Of The Week!
May I present to you the wonderfully named, and incredibly talented
Feather and Sixpence. Their quirky watercolours are cool, warm and fuzzy all at the same time. They're like listening to The Lumineers on Bonfire Night with your hands wrapped around a hod toddy and your sweetheart's hands wrapped around you. Check them out, I urge you.
