Customising casts and mouldings (A mini tutorial)

I have been very remiss. It has been a fortnight since my last blog post (say 4 Hail Marys and 2 Our Fathers). I have been very busy with custom orders, authors and coping with not having a camera. It has really cramped my style! I could write a whole blog post on just that, but I'll link to one instead, and we can focus on a tutorial - it's been toooooo long since my last one!

So what I want to show you today is how to customise casts you make from moulds (molds). Now, this may seem like the most obvious thing in the world to you, but it was a bit of a Eureka moment for me. I can't even claim credit for this simple conceptual shift - credit for the idea goes to generous and creative polymer clay artist Ponsawan Sila.

The concept is forehead-slappingly basic. Essentially, when you peel a casting out of a mould, rather than view that as the finished item, instead view it as a blank canvas. Take this blank and tweak it to make something amazing and one of a kind. Is it a face? Add nostrils, refine the cheekbones, draw the edges of the mouth up into a smile. These are all tiny changes you can make, but you can also make bigger ones - open the eyes by putting in a pupil and eyelashes along the top of the eye socket, even make it wink!

And the customisations don't have to stop at the raw stage. Once cured, use gilding wax to highlight the forehead and bridge of the nose, or a fineliner to draw in Maori-style tattoos. Here I have used a cotton bud to create a triple goddess symbol )O( and a pin to create eyelashes.

As I mentioned above, this is a such a simple shift in thinking but it has had quite a huge impact on me. I had been quite ambivalent about moulds in the past - in fact the faces came from a friend - but with this notion of the moulding as a blank canvas my curiosity has been well and truly piqued. I can make OOAK items with a mould! The same goes for moulds of other items, especially big ones where you only like part of the mould. Either only impress the area you like, or trim away the rest of the casting. Think of patterned moulds like texture sheets - if you have a cavity and you want to transfer the pattern to a sheet, try casting the clay by pressing it into the cavity and making it concave, and then carefully removing the dome and squashing it flat. Like this. Here the large mould second from the left has been used to make a flat mica shift pendant (which I then curved slightly over a light bulb after I had smoothed out the mica shift texture which is why it is domed.)

I hope all of this has gone some way towards inspiring you to dig out your old moulds that you thought were limiting and to breathe some creative new life into them.

What inspires you?

I've been reflecting a lot lately on where inspiration comes from. Most of my inspiration for my polymer clay jewellery right now comes from curiosity - I have a list as long as my arm of techniques I want to try and so whenever I get the chance to play with clay I give a new technique a go. The result is masses of fun but it means my stock is somewhat eclectic in style. You certainly can't pigeon-hole my shop! (Or crow-hole it for that matter ;))

I have often wondered how artists and designers develop their signature look. Does it come naturally and instantly, or does it evolve over time? Do even the most original artists begin by mimicking others? I grew up as a scientist and then later an editor, and my creative exploits were always driven by my desire to explore and experiment, and to try out what I thought might be a hoot. I didn't have the artistic upbringing that might encourage one to specialise, to become fixated on one thing, or one method. To be honest, that's why I got out of science - the thought of being the world's leading expert in one tiny protein in one of a billion chemical pathways in the human body just left me cold. I had no desire to be king of a very tiny and lonely castle!

I tell myself that my inspiration is nature. That's pretty damn broad I can tell you! It encompasses colour, form, structure, texture... pretty much anything that isn't manmade, and in my view that really only leaves out architecture, industrial, steampunk and kawaii (oh and vintage, but I make an exception for that). I suppose it takes my king of the castle philosophy to its most extreme point. It allows me to be a wanderer, going wherever whim takes me like a happy vagabond.

Bearing all of that in mind, Pinterest suits me down to the ground. I can be the ultimate magpie, browsing through thousands of pins and plucking out anything that sparkles at me. I even love the way it is laid out, so no matter what I pin, my boards look cohesive (to me) and lovely (to me). Pinterest seems to quietly sort out and organise the disparate thoughts in my mind. As a result, browsing through my inspiration board is like plugging directly into the mains. POW! I get 10,000 volts of inspiration right smack in the face. I love it!

So I guess what I am saying is that I am not quite ready to settle down yet. I'm having far too much fun gathering my pearls of inspiration - disparate as they are - and hoarding them like jewels. All that is to say, don't be surprised if my shop goes through some changes as I develop. It's like a teenager, working out its style.

And now I have given myself permission to be creative, let's see where that takes me :)

PS - you are welcome to follow me on Pinterest. I'm quite a prolific pinner, but it is all me, I don't pander to anyone else's idea of what inspiration might be.